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So up on the roof I slip on my mask, whip out my silenced pistol, and everything goes to hell. My pistol’s definitely silenced, but clearly not silenced enough, because a few traitorous decibels leak down to alert one of the civilians inside. They must have had the police on speed-dial, because seconds later we’re treated to the wailing screech of a siren. Time to go loud.
In many ways, the moment where everything goes wrong is the heart of this cooperative first-person shooter. The following seconds of panicked improvisation, when the brilliantly pounding dance music kicks in, plans get reformulated and roles reassigned on the fly, deliver some of the most intense cooperative thrills I’ve ever experienced outside of a game of Left 4 Dead 2. But it’s also the heart of Payday 2 in another respect: it’s the point where vague, unclear game mechanics and a steep, pointlessly restrictive upgrade system lets you down.
